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But even if its VFX are downright Jurassic and its drama leaden, The Lost World still holds audience attention as a piece of straightforward hokum, enlivened by a mischievous performance from Claude Rains. Innovations can date terribly, of course, and in trying to present a lavish spectacle with cutting-edge VFX it seems far more old-fashioned than more modest productions filmed a decade or two earlier. The Lost World’s greater legacy, of the novel at least, was its loose inspiration for Jurassic Park (which even had a sequel named after it)… although The Lost City of Z (2016) is also worthy of note, as it was based on the life of British geographer and archaeologist Percy Fawcett, whose life helped inspire the novel.Īllen’s 1960 movie, despite its many flaws, remains the best-known of the many versions. There had already been a 1925 version made with Wallace Beery playing Challenger, too. Somehow even less credible than those is the utterly wooden Malone (David Hedison), the film’s romantic lead.įor those who do want a more contemporary take on the story, several other adaptations of The Lost World appeared in 1992, 1998, 1991, and 2001…. Similarly uninspiring is the expedition’s pilot, Gomez (Fernando Lamas), whose two functions are to resent Lord John Roxton (Michael Rennie) and to always play the guitar to add some foreign atmosphere. At least there’s a sense her character is a real person, unlike the local Venezuelan guide Costa (Jay Novello), who’s an amalgam of Manuel from Fawlty Towers and a ‘cowardly foreigner’ cliché. John (the token silly woman who arrives for an Amazonian expedition wearing pink boots, with a poodle called Frosty), comes closest to rivalling Rains. In fact, nobody else in the cast can compare to Claude Rains, although Richard Haydn savours moments of wry humour as another professor, and Jill St. Despite The Lost World’s silliness and Challenger’s suspiciously fake-looking ginger hair, Rains is a magnetic presence. And there are glimpses of the classic era Rains, too, who appeared in Casablanca (1942) and Notorious (1946). His character, Challenger, is described by a reporter as “that indomitable zoological professor” and Rains plays this indomitability to the hilt-whether wielding his umbrella as a weapon or declaring “there will be no women on my expedition!” (An insistence in which he’ll be proven wrong). 71 at the time, he seems determined to have fun and steals scenes every time he opens his mouth. The only performer who truly shines is Claude Rains, a revered Hollywood star since the 1930s and a multiple Academy Award nominee. As it stands, the animals are better actors than most of the humans.